Now in its fourth edition, this classic bestselling book has been updated with brand new chapters and hand-drawn illustrations. Using a highly accessible approach, the author takes history rather than aesthetics as his starting point. Risebero unfolds and explains the development of architecture in the Western world by examining the subject as an expression of social and e...(展开全部)

Across the worlds of Shadow, Corwin, prince of blood royal, heir to the throne of Amber, gathers his forces for an assault that will yield up to him the crown that is rightfully his. But, a growing darkness of his own doing threatens his plans, an evil that stretches to the heart of the perfect kingdom itself where the demonic forces of Chaos mass to annihilate Amber and all wh...(展开全部)

罗杰•泽拉兹尼，美国国宝级科幻奇幻作家，在这两大领域均达到了极其罕见的巅峰状态。 在三十多年的创作生涯中，他一共摘取了六次雨果奖、三次星云奖和两次轨迹奖，留下了五十五部长篇和一百五十余个中短篇。1963年，他的作品被编入“著名科幻小说殿堂”，并于2010年入驻“科幻小说 名 人堂”。 他率先倡导科幻小说写作要从心理学、社会学和语言学三方面考虑，打破了太空冒险科幻一统天下的局面，被誉为“新浪潮”的领军人物。在泽拉兹尼的作品中，他创造性地将科幻、奇幻融为一体，将神话、宗教与科幻奇幻有机结合，每一个设定都如教科书般精确，营造出独特的世界观。他的科幻作品中有奇幻的瑰丽恣肆，奇幻作品有科幻的严谨设定。因此，他被视为“那个时代最伟大的科幻奇幻作家”。 在1970年代，泽拉兹尼开始倾力打造他的奇幻名篇《安珀志》，历时20年，终于得以完成这部奇幻历史上的里程碑式作品...(展开全部)

Across the worlds of Shadow, Corwin, prince of blood royal, heir to the throne of Amber, gathers his forces for an assault that will yield up to him the crown that is rightfully his. But, a growing darkness of his own doing threatens his plans, an evil that stretches to the heart of the perfect kingdom itself where the demonic forces of Chaos mass to annihilate Amber and all wh...(展开全部)

罗杰•泽拉兹尼，美国国宝级科幻奇幻作家，在这两大领域均达到了极其罕见的巅峰状态。 在三十多年的创作生涯中，他一共摘取了六次雨果奖、三次星云奖和两次轨迹奖，留下了五十五部长篇和一百五十余个中短篇。1963年，他的作品被编入“著名科幻小说殿堂”，并于2010年入驻“科幻小说 名 人堂”。 他率先倡导科幻小说写作要从心理学、社会学和语言学三方面考虑，打破了太空冒险科幻一统天下的局面，被誉为“新浪潮”的领军人物。在泽拉兹尼的作品中，他创造性地将科幻、奇幻融为一体，将神话、宗教与科幻奇幻有机结合，每一个设定都如教科书般精确，营造出独特的世界观。他的科幻作品中有奇幻的瑰丽恣肆，奇幻作品有科幻的严谨设定。因此，他被视为“那个时代最伟大的科幻奇幻作家”。 在1970年代，泽拉兹尼开始倾力打造他的奇幻名篇《安珀志》，历时20年，终于得以完成这部奇幻历史上的里程碑式作品...(展开全部)

We have a problem with Stuff. With just 5 percent of the world’s population, we’re consuming 30 percent of the world’s resources and creating 30 percent of the world’s waste. If everyone consumed at U.S. rates, we would need three to five planets! This alarming fact drove Annie Leonard to create the Internet film sensation The Story of Stuff, which has been viewed over 10 mill...(展开全部)

We have a problem with Stuff. With just 5 percent of the world’s population, we’re consuming 30 percent of the world’s resources and creating 30 percent of the world’s waste. If everyone consumed at U.S. rates, we would need three to five planets! This alarming fact drove Annie Leonard to create the Internet film sensation The Story of Stuff, which has been viewed over 10 mill...(展开全部)

伊恩•克夫顿（Ian Crofton）： 《吉尼斯百科全书》前主编，至今出版约十八本著作，包括各种工具书、参考书、辞典等，皆以历史事典故为主。 · 杰里米•布莱克（Jeremy Black）： 英国埃克塞特大学历史系教授，同时也是美国和西方国家外交政策研究所的高级研究员。曾 出版过多部历史著作，他是当今世界上最多产的历史学者。

The Invention of the Western Film ranges across literature, visual arts, social history, ideology, and legend to provide, for the first time, an in-depth exploration of the early Western, from short kinetoscopes of the 1890s through 'classic' features of the 1940s. By examining the American Indian's rise and demise during the silent era, B-Westerns of the 1930s, and film noir-i...(展开全部)